Hyperallergic.29.Oct.2017. Mary Pelletier   “Untitled” (1994 – 96) (exhibida con el apoyo de SAHA, Fotografia de Sahir Ugur Eren cortesia del artista) Dealing with themes of surveillance, personal and shared space, and what defines home in film, installation, and more. In the months leading up to the 15th edition of the Istanbul Biennial, posters —hung in windows alongside … More The Istanbul Biennial Examines the Tricky Question of What Makes a “Good Neighbor”