Finlandia en la Bienal de Venecia: una sátira sobre la posmodernidad

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Venice Biennale 2017

Pavilion of Finland at the 57th International Art Exhibition – La Biennale di Venezia: The Aalto Natives by Nathaniel Mellors and Erkka Nissinen

Pavilion of Finland presents The Aalto Natives, a collaboration between artists Nathaniel Mellorsand Erkka Nissinen at the 57th International Art Exhibition – La Biennale di Venezia. Individually known for their irreverent and often comedic story-driven work, Mellors and Nissinen focus on various clichés surrounding Finnish history and national identity for The Aalto Natives.

Conflating ideas and tropes from archaeology, anthropology and science fiction, the work re-imagines Finnish society through the eyes of two messianic outsider figures, Geb and Atum, who are represented by talking animatronic puppets.

The story presents Geb and Atum as terraforming higher beings, who re-visit the Finland they have created millions of years earlier, and who try to make sense of the culture that has developed in the meantime. They are engaged in a dialogue in which they introduce a series of video vignettes on Finnish creation mythology, contemporary Finnish society and their vision for the future of Finland.

Within this narrative framework, Mellors and Nissinen playfully critique religion and the nature of human existence, to reveal the systemic flaws at the heart of cultures dominated by rationalism and the fetishization of progress.

 

Various visual idioms – including HD videos of old school Muppet-style puppeteering, 3D CGI, and hand-drawn stop-motion animation – conjure the universe and psychology of their characters. These different media and technologies are synchronized into a dynamic and immersive theatrical experience.

Curator Xander Karskens says “The Aalto Natives explores themes such as the invention of the nation state and the origins of culture by way of absurdist satire. Dressing its intellectual ambitions in deceivingly comical gear, the work addresses the complex challenges our globalized world faces today, like neoconservative nationalism, intolerance, and class polarization.”

The installation is accompanied by The Aalto Natives – A Transcendental Manual, a publication designed by Studio Remco van Bladel, Amsterdam, and co-published with Mousse. The book (ISBN 9788867492169) is distributed by Mousse, and can be ordered by mail from Frame Contemporary Art Finland at info@frame-finland.fi.

Partners and supporters

The main partner for The Aalto Natives is the Kiasma Museum of Contemporary Art, alongside Visit Finland and the City of Jyväskylä. The main supporter of The Aalto Natives is the Ministry of Education and Culture of Finland, together with the Mondriaan Fund and the Saastamoinen Foundation.

The Aalto Natives is supported by Rijksakademie van Beeldende Kunsten, Jack Bakker, THE EKARD COLLECTION, the Promotion Centre for Audiovisual Culture AVEK, Suomi Finland 100, Dommering Collection, Frans Hals Museum | De Hallen Haarlem, Cobra Museum of Modern Art, Embassy of Finland in Rome, MONITOR, Ellen de Bruijne Projects, Stigter van Doesburg, The Box, and Matt’s Gallery.

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